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Noam Chomsky's Media Control: Spectatorship versus Participation
By Gabrielle Guz (Written in December 2020 for my Film and Media Theory class at Columbia University.) In his groundbreaking back-pocket...

geg2136
Aug 11, 20216 min read
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Laura Mulvey and the Contradictory Structure of Looking in Narrative Fiction
By Gabrielle Guz (Written in November 2020 for my Film and Media Theory class at Columbia University.) Something that is anxiety-inducing...

geg2136
Aug 11, 20216 min read
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Andre Bazin’s Philosophy on “Ambiguity” in Film
By Gabrielle Guz (Written in October 2020 for my Film and Media Theory class at Columbia University.) The very act of defining the word...

geg2136
Aug 11, 20217 min read
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A Mother's Touch
By Gabrielle Guz (Written in January 2017 in honor of my Mama Alla. I was a junior in high school.) Such an ineffable sensation. May one...

geg2136
Aug 10, 20213 min read
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Germany, Pale Mother: A Reparative Vision on Trauma and Healing
By Gabrielle Guz (Written in December 2020 for my German Film After 1945 Class at Columbia University.) Helma Sanders-Brahms’s Germany,...

geg2136
Aug 10, 202119 min read
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Grief and Unlikely Triumph: The Coen Brothers’ Inside Llewyn Davis (2013)
By Gabrielle Guz (Written in December 2020 for my Independent Cinema Class at Columbia University.) Llewyn Davis (Oscar Isaac), in Ethan...

geg2136
Aug 10, 202112 min read
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Here's My Wish
By Gabrielle Guz (Written in January 2019. My freshman year of college. Dedicated to my high school teachers.) Lately, one question...

geg2136
Aug 10, 20216 min read
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Grief, Yes, It Hurts Not to Talk About It
By Gabrielle Guz Just to put it out there: Yes, I’m an orphan. My parents died when I was sixteen. Yes, it has been very hard. Yes, it...

geg2136
Aug 10, 20215 min read
61 views
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